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Friday, October 21, 2011

Today's OTR: NBC presents Jerry Gray and his Band of Today.....6-8-1951 Edgewater Beach Hotel-Chicago

A nice, smoooth one, today.........for your dancing pleasure.....the mellow, Miller-esque sounds of the Jerry Gray band, direct from the beautiful beach walk of The Edgewater Beach Hotel, in Chicago. June 8, 1951. Tommy Traynor, and Tony Gray on vocals. Very nice.

Jerry with Artie Shaw




A rare pic of the Edgewater from it's earliest years


A note on the Edgewater:

The Edgewater Beach Hotel was a hotel in the far-north neighborhood community of Edgewater in Chicago, Illinois. Built in 1916 and owned by John Tobin Connery and James Patrick Connery, it was located between Sheridan Road and Lake Michigan at Berwyn Avenue. 

The complex had a private beach and offered seaplane service to downtown Chicago. During its lifetime, the hotel served many famous guests including Marilyn Monroe, Frank Sinatra, Judy Garland, Charlie Chaplin, Bette Davis, Tallulah Bankhead, and Nat King Cole, and U.S. Presidents Franklin D. Roosevelt and Dwight D. Eisenhower. The hotel was known for hosting big bands such as the bands of Benny Goodman, Tommy Dorsey, Glenn Miller, Artie Shaw, Xavier Cugat, and Wayne King, which were also broadcast on the hotel's own radio station, a precursor to WGN with the calls WEBH.

On June 14, 1949, Philadelphia Phillies first baseman Eddie Waitkus was shot and nearly killed by an obsessive fan at the hotel; this later would be a large part of the inspiration behind Bernard Malamud's novel The Natural.

The 1951–54 extension of Lake Shore Drive from Foster Avenue to Hollywood Avenue cut the hotel off from the beach leading to a reduction in business. The hotel closed in 1967 and the main buildings were demolished shortly after.The Edgewater Beach Co-op or Apartments, built in 1928, is the only part of the hotel complex to survive and is part of the Bryn Mawr Historic District where many Art Deco buildings can be found.

The developers also built a sister hotel, the Edgewater Gulf Hotel, in Biloxi, Mississippi. Both projects were designed by the Chicago architectural firm of Marshall and Fox.

 The apartments today

Thursday, October 20, 2011

A great Halloween OTR----"Lights Out" 6-17-1936 Cat Wife....with Boris Karloff !!

BOO!!

A verry verry good one, today! >:)
http://www.megaupload.com/?d=9ODKIKRF

A request from me: Can anyone help me on finding this LP?? digital file, whatever.....


ONE NIGHT STAND WITH BARNEY RAPP - Joyce LP-1058

Cincinnati, Ohio June 17, 1939

Vocals by Doris Day and Lee Johnson
Plus a fifteen minutes broadcast by Les Brown, Hotel Edison, N.Y. November 22, 1938

SIDE ONE:

1. LADY BE GOOD
2. Medley: THAT SLY OLD GENTLEMAN/NIGHT MUST FALL (Vocal by Lee Johnson)
3. BEER BARREL POLKA
4. IF I DIDN'T CARE  (Vocal by Lee Johnson)
5. LITTLE SIR ECHO  (Vocal by Doris Day)
6. STRANGE ENCHANTMENT  (Vocal by Lee Johnson)
7. I'M HAPPY ABOUT THE WHOLE THING  (Vocal by Doris Day)
8. Medley: YOU GROW SWEETER/WISHING  (Vocal by Lee Johnson)

SIDE TWO: Broadcast continues

1. BUGLE CALL RAG
2. DON'T WORRY 'BOUT ME  (Vocal by Lee Johnson) LES BROWN, HOTEL EDISON, N.Y. 11 722/38
3. THEME AND INTRODUCTION
4. SPAIN
5. SOBBIN' BLUES
6. MY OWN  (Vocal by Miriam Shaw)
7. LOVE NEST

Personnel for Barney Rapp unknown

Les Brown personnel:

Jimmy Blake, Steve Lipkins, Les Kritz(tp) Bob Fishel(tb) Les Brown, Herb Muse(as) Wolfe Taninbaum, Stewart McKay(ts) John Pepper (bar) Billy Rowland(p) Allan Ruess(g) 

Bassie Deters(b) Howard Smith(d)
 
Any assistance would be greatly appreciated! Thanks!! -Laura

Todays OTR...CBS Radio Workshop "Voice of New York" 3-2-1956

CBS Radio Workshop..................The theatre of the mind ;)

Let's enter the Theatre of the mind today..........let's visit NYC in the mid '50s, shall we?


** A program note**

CBS Radio Workshop was a revival of the Columbia Workshop of the late thirties. All 86 episodes survive today. The series aired from 27 Jan 1956 until 22 Sep 1957, of course on CBS. The original idea for the show came from Irving Reis back in the thirties. What he wanted was an experimental workshop, a sustaining program where actors, writers and technicians could produce scripts the sponsors might be afraid to try. The time was right in the late fifties to try this concept again, however, under different circumstances. By this time television was taking the big money so why not try this concept again since most of the big sponsors were already transitioning over.

William Froug, a CBS vice president was the force behind this revival. He grew up with the old Columbia Workshop and pitched the idea to Howard Barnes. Howard agreed with the idea and William Froug chose Aldous Huxley's "Brave New World" as the first program. Aldous Huxley narrated and William Conrad announced this radio adaptation of "Brave New World". The series brought together the cutting edges of writing, music, and sound. Overall it was a big hit with radio personnel and listeners. So much so that the east coast wanted in too. Thus the series alternated between the west and east coast production centers. Why not spare a little time and give a listen to some outstanding radio drama. Take the challenge and compare the CBS Radio Workshop with the original, Columbia Workshop. You decide for yourself which series is better.

This is the CBS Radio Workshop, dedicated to man's imagination, the theater of the mind.



From the Old Time Radio Researcher's Group.

ENJOY!!

Sugar Pie DeSanto Part 1.................


Sugar Pie DeSanto

Sugar Pie DeSanto (born Umpeylia Marsema Balinton, October 16, 1935, Brooklyn, New York, United States) is an American rhythm and blues singer of the 1950s and 1960s.

She was born to an African American mother and Filipino father. Her mother was a concert pianist. She spent most of her early life in San Francisco, California, where she moved with her family at a young age. She is 4' 11". As a girl she was friends with Etta James.

In 1955, DeSanto did some touring with The Johnny Otis Revue. Otis gave her her stage name. From 1959 to 1960, she toured with The James Brown Revue.

In 1960, DeSanto rose to national prominence when her single "I Want to Know" reached number four on Billboard's Hot R&B chart. She recorded the song with her husband Pee Wee Kingsley. Soon thereafter her marriage to Kingsley fell apart, and DeSanto moved to Chicago and signed with Chess Records in 1962 as a recording artist and writer. Among her recordings at Chess were "Slip-in Mules", "Use What You Got", "Soulful Dress" (her biggest hit at Chess), and "I Don't Wanna Fuss". DeSanto participated in the American Folk Blues Festival tour of Europe in 1964, and her lively performances, including wild dancing and standing back flips, were widely appreciated.

In 1965 DeSanto began a writing collaboration with Shena DeMell. They produced the song "Do I Make Myself Clear", which DeSanto sang as a duet with Etta James, which reached the top 10. It was followed up by a 1966 DeSanto-James duet, "In the Basement". DeSanto's next song, "Go Go Power", did not chart, and DeSanto and Chess parted ways.

Sugar Pie DeSanto kept on writing songs and recorded for a few more labels without much success; she eventually moved back to the Bay Area, settling in Oakland.

Though it had often been said that her stage performances far surpassed her studio recordings, a full length live recording, Classic Sugar Pie, was not released until 1997.

DeSanto was given a Bay Area Music Award in 1999 for best female blues singer. In September 2008, she was given a Pioneer Award by the Rhythm and Blues Foundation. DeSanto received a lifetime achievement award from the Goldie Awards in November 2009.

DeSanto was married twice to Jesse Earl Davis, over the course of a 27-year relationship. In October 2006, he died attempting to extinguish a fire that destroyed their apartment in Oakland, California.

So, here's part one...........

Be happy
Can't Let You Go
Dont Ever Leave Me-Sugar Pie & Pee-Wee
Get this little taste of soul
Good Timin'
Here You Come Running
I Love You So Much
If I Had A Wishing Well-As Paliya DeSantos 
Jump In My Chest
Let's get together-Sugar Pie & Pee-Wee
Mr. & Mrs.
My Baby's Got Soul
Never Love A Stranger
Nickel & A Dime-Pee Wee Kingsley Featuring Sugar Pie De Santo
One Two Lets Rock-Sugar Pie & Pee-Wee
Open Your Heart
Please be true-as Sugar Pie
She's Got Everything
Slip In Mules (2)
Slip In Mules
The feelings too strong
There's Gonna Be Trouble
Witch For A Night (Unreleased)


An Eartha Kitt video jukebox.........

 Meowwww! :)


I love it!! (not to mention oh-so-fond memories of my daughter, at age 7, memorizing and singing it all the time...lol)











Conway Twitty-Part 3..........hard rockin' early years...........

w/ Mamie Van Doren


Comin' back atcha with Part 3.............

A Little Piece Of My Heart
A Million Teardrops
Jailhouse Rock
Judge Of Hearts
Just Because
Just In Time-as Harold Jenkins
Let The Good Times Roll
Lonely Blue Boy
Lonely Kind Of Love
Long Black Train
Looking Back
Make Me Know You're Mine
Man Alone 2
Man Alone
Maybe baby 2
Maybe Baby
Midnight
Mister Jones
Mona Lisa
My Adobe Hacienda
My Babe
My Heart Cries
My One And Only You
Oh What A Dream
Platinum High School
Pledging My Love
Portrait Of A Fool
Pretty Eyed Baby
The Next Kiss
The Pickup


Harlem Hamfats 3.............A mellow mother for ya....... ;)

And here's part 3...............

Oh! Red
New Oh red!
No Need Knockin' On The Blind- w/ Frankie "Half-Pint" Jaxon 
Oh babe, has your money come?
Oh Rider- w/ Rosetta Howard
Ooh-Wee Babe
Rampart and Gravier Blues
Ready For The River
Riff It- w/ Frankie "Half-Pint" Jaxon 
Rockin' Myself To Sleep
Root Hog or Die
Rosetta Blues-w/ Rosetta Howard
Sales Tax On It
She's a mellow mother for ya
She's Gone Again
She's Trickin' Me
Something Wrong With My Mind
Southern Blues
Stay Away From My Door-w/ Rosetta Howard
Stay On It-w/ Rosetta Howard
Stomp It Out Gate-w/ Rosetta Howard
Take Me In Your Alley
Tempo De Bucket
That's Going To Ruin Your Beauty Spot
They Put The Big Britches On Me-w/ Frankie "Half-Pint" Jaxon 
Time's a-Wastin'
Toodle Oo Blues
Trading Old Love For New-w/ Rosetta Howard

http://www.megaupload.com/?d=WT0PSHDM

Wednesday, October 19, 2011

Another great vintage photography site...thanks for reminding me of this one, Luthier :)


Go here for the best in vintage photography..very nice blog.......you won't regret it! -Laura

In memory of Norman Corwin......OTR "We hold these truths" 12-15-1941 and "On a note of triumph" from 5-6-1945



Radio Giant Norman Corwin Dies In Calif. At 101


Norman Lewis Corwin (May 3, 1910 – October 18, 2011) was an American writer, screenwriter, producer, essayist and teacher of journalism and writing. His earliest and biggest successes were in the writing and directing of radio drama during the 1930s and 1940s.
Corwin was among the first producers to regularly use entertainment—even light entertainment—to tackle serious social issues. In this area he was a peer of Orson Welles and William N. Robson, and an inspiration to other later radio/TV writers such as Rod Serling, Gene Roddenberry, Norman Lear, J. Michael Straczynski and Yuri Rasovsky.

He was the son of Samuel and Rose Corwin and was born in Boston, Massachusetts. Corwin was a major figure during the Golden Age of Radio. During the 1930s and 1940s he was a writer and producer of many radio programs in many genres: history, biography, fantasy, fiction, poetry and drama. He was the writer and creator of series such as The Columbia Workshop, 13 By Corwin, 26 By Corwin and others. He recently was a lecturer at the University of Southern California.

Corwin has won the One World Award, two Peabody Medals, an Emmy, a Golden Globe, a duPont-Columbia Award; he was nominated for an Academy Award for Writing Adapted Screenplay for Lust for Life (1956). On May 12, 1990 Corwin received an Honorary Doctorate from Lincoln College. In 1996 he received the Doctor of Humane Letters honoris causa from California Lutheran University. Corwin was inducted into the National Radio Hall of Fame in 1993. A documentary film on Corwin's life, A Note of Triumph: The Golden Age of Norman Corwin won an Academy Award for Best Documentary (Short Feature) in 2006. Les Guthman's feature documentary on Mr. Corwin's career, Corwin aired on PBS in the 1990s. He was inducted into the Pacific Pioneer Broadcasters Diamond Circle in 1994.




Corwin was married in 1947 to actress Katherine Locke. They had two children—an adopted son, Anthony Leon, and a daughter, Diane Arlene. Locke died in 1995.

Corwin was Jewish, and his parents observed Judaism. (His father, Sam Corwin, attended holiday services until his death at 110). While not an observant Jew, Corwin has infused much of his work with the ideas of the Hebrew Prophets. One of the prayerbooks of American Reform Judaism, Shaarei Tefila: Gates of Prayer, contains a portion of the Prayer from the finale of Corwin's On a Note of Triumph
Lord God of test-tube and blueprint
Who jointed molecules of dust and shook them till their name was Adam,
Who taught worms and stars how they could live together,
Appear now among the parliaments of conquerors and give instruction to their schemes:
Measure out new liberties so none shall suffer for his father's color or the credo of his choice:
Post proofs that brotherhood is not so wild a dream as those who profit by postponing it pretend:
Sit at the treaty table and convoy the hopes of the little peoples through expected straits,
And press into the final seal a sign that peace will come for longer than posterities can see ahead,
That man unto his fellow man shall be a friend forever.


Corwin worked as a newspaper journalist for the Greenfield Recorder and the Springfield Republican, and later read news over WBZA in Massachusetts. He moved to New York City in 1936 and created a program for independent station WQXR. In 1938, he began working for the CBS Radio Network. CBS scheduled Norman Corwin's Words Without Music, the first usage of a writer's name in a program title; the series included two of his more famous works, The Plot to Overthrow Christmas, a fantasy in rhyme, and They Fly Through The Air, an impassioned reaction to the Spanish Civil War.

In 1941 Corwin was given the timeslot and resources of the Columbia Workshop program for a full six months, under the title 26 By Corwin, which required him to conceive, write, cast, direct and produce a completely new play every seven days.

We Hold These Truths was first broadcast on December 15, 1941, in honor of the 150th anniversary of the United States Bill of Rights. Many radio and movie stars of the day featured, along with an epilogue by President Franklin Delano Roosevelt. National Public Radio sponsored a new version of this program in 1991, for the Bill of Rights bicentennial.
Columbia Presents Corwin (1944) offered stories ranging from serious to whimsical.
His most famous work is On a Note of Triumph, a celebration of the Allied victory in Europe, first broadcast on VE Day, May 8, 1945. Corwin reports being on a train "somewhere near Albuquerque" when news of the end of the European war came to him. He had been planning to produce On a Note of Triumph as a morale booster for the men overseas. But the war with Germany had ended, and he doubted the network still wished to air it. (Just in case, broadcast historian Erik Barnouw wrote, Corwin had performers ready in both New York City and Los Angeles). Corwin called his network and expressed concern. CBS radio head William Paley sent a message to Corwin on the train .... "the President says, 'now more than ever.' "
With Harry Truman's insistence that it continue, the program went on (from the Los Angeles studios of CBS Radio Station KNX), with Martin Gabel as host/narrator and with William L. Shirer (via cable from New York) re-creating his role as reporter in the Compeigne forest covering the French surrender to Germany. With an audience of 60 million listeners it became one of the most famous ever produced on radio.


Corwin wrote a similar program for CBS, Fourteen August, which was broadcast on V-J Day on CBS.

Corwin was the first winner of the One World Award established by the Common Council for American Unity along with the (Wendle) Willkie Memorial of Freedom House. The award's winner was given an around the world trip. He won the award for his contributions in the field of mass communication to the concept of the world becoming more unified. In mid-June, 1946, he set out from New York for a 4 month journey. He interviewed both world leaders and ordinary citizens, accompanied by a CBS recording engineer with 225 pounds of magnetic wire recording equipment. His 100 hours of recorded interviews was transcribed and took up 3700 pages. The CBS network then molded his work into a 13 part documentary that was aired in the Winter and Spring of 1947. Programs featured Great Britain, Western Europe, Sweden and Poland, Russia, Czechoslovakia, Italy, Egypt and India, Shanghai and Cities of the Far East, The Philippines, Australia, and New Zealand.



Corwin wrote and directed two plays produced on Broadway, The Rivalry (1959) and The World of Carl Sandburg (1960). According to Ray Bradbury, Corwin was responsible for the eventual publication of Bradbury's The Martian Chronicles.

Composer David Raksin's "reverent orchestral theme" for the 1950 MGM film The Next Voice You Hear... was later published with original lyrics by Corwin as the hymn "Hasten the Day."


Corwin wrote a number of motion picture screenplays, including The Blue Veil (1951), Scandal at Scourie (1953), Lust for Life (1956), and The Story of Ruth (1961).

In the early 1970s Corwin produced and hosted the television show Norman Corwin Presents. In 1979 he hosted Academy Leaders, a weekly showcase for short animated films, such as those produced by the National Film Board of Canada.

Corwin wrote several books, which include Trivializing America; plus many essays, letters, articles and plays.

During the 1990s, Corwin returned to radio drama, producing a series of radio plays for National Public Radio. In 1993, Corwin was finally inducted into the Radio Hall of Fame after a long career. And in 2001, NPR aired six new plays by Corwin under the title More By Corwin. He also lectured at USC as a visiting professor  and was also on the Advisory Board of the National Audio Theatre Festival. Corwin celebrated his 101st birthday in May 2011.

"Golden Age" works in radio drama

Corwin wrote and produced over 100 programs during the golden age of radio. Notable programs include:
  • The Plot to Overthrow Christmas - December 25, 1938
  • They Fly through the Air with the Greatest of Ease - February 19, 1939
  • Spoon River Anthology - March, 1939
  • Descent of the Gods - August 3, 1940
  • Mary and the Fairy - August 31, 1940
  • Psalm for a Dark Year - November 9, 1940
  • We Hold These Truths - December 15, 1941
  • America at War (series) - February 14, 1942
  • The Lonesome Train - March 21, 1944
  • Untitled - May 30, 1944
  • Home For the 4th - July 4, 1944
  • El Capitan and the Corporal - July 25, 1944
  • On a Note of Triumph - May 8, 1945
  • The Undecided Molecule - July 17, 1945
  • 14 August - August 14, 1945
  • God and Uranium - August 19, 1945
  • Hollywood Fights Back - October 26, 1947
  • Could Be - September 8, 1949
  • Document A/777 - March 26, 1950

Later works in radio drama

In recent years National Public Radio commissioned a number of new plays by Corwin; the series was called More By Corwin.
  • Our Lady Of The Freedoms, And Some Of Her Friends - A play about the Statue of Liberty.
  • The Writer With The Lame Left Hand - Based on the life story of Miguel de Cervantes, author of Don Quixote. This production featured Ed Asner, Charles Durning, Samantha Eggar and William Shatner.
  • The Curse Of 589 is a comedy about a physicist (William Shatner) who comes across an honest-to-goodness real life fairy, with a working magic wand.
Corwin is currently a lecturer at the University of Southern California.

Published works

A selected listing of books by Corwin, excluding collections of his radio dramas:
  • So Say the Wise: A Community Of Modern Mind—New York: George Sully Company, 1929—A compendium of quotations, concentrating on current personalities. Compiled by Corwin and Hazel Cooley.
  • Holes in a Stained Glass Window—Secaucus, NJ : L. Stuart, 1978—Collection of Corwin's Essays, Articles and Poetry. Contains both Prayer for the 70s and Jerusalem Printout
  • Trivializing America—Secaucus, NJ : Lyle Stuart, 1983—A best-selling critique of the failings of contemporary American culture
  • Norman Corwin's Letters / Edited By Jack Langguth—New York : Barricade Books Inc., 1994—Compilation of letters written throughout Corwin's career.
Addendum: The Plot to Overthrow Christmas, Opera, Music by Walter Scharf, Libretto by Norman Corwin - written 1960, only performance 2000 Brigham Young University. The opera exists in manuscript form only. Composer and Librettest unable to agree on terms for further use. Scharf died in 2003.

RIP Norman Corwin

Here is a link to "We hold these truths" from 12-15-1941:


http://www.megaupload.com/?d=SE1NC4PA

and  "On a Note of Triumph" from 5-6-1945


http://www.megaupload.com/?d=B73KXM3P

Saturday, October 15, 2011

Timi Yuro Part 8................


Here's the end of the list...........Part 8 :)

(You Are) My Special Angel
The Wall
Till The End Of Time
Timi Talks (2) (from 'Live at P.J.s')
Timi Talks  (from 'Live at P.J.s')
Trying
Tu vedi lei 
Turn the world around the other way
Two different worlds
Until you were gone -1963 unreleased
Up above my head (i hear music in the air) -w/ Johnny Ray (God, I have to say that I HATE this version....I am not a Johnny Ray fan, and tackling a classic Rosetta Tharpe tune....not such a good idea)
Walk Away
What A Different A Day Makes
What's A Matter Baby
When He Wants A Woman
When Something Is Wrong With My Baby
When You Were Mine
Who's Sorry Now
Why not now
Wings of inspiration
With a song in my heart
Wrong
You Always Hurt The One You Love
You Belong To My Heart
You Can Have Him
You can't get away from me
You know you don t want me
You took my happy away
You'll Never Walk Alone
You've got troubles -unreleased 1967
You've Lost That Lovin' Feelin'
You'll Never Know




The Saturday OTR: Jubilee on AFRS 10-31-47...Benny Carter, Peggy Lee, Pied Pipers, Page Cavanaugh Trio, Johnny Desmond

Wow...this one is lots a fun, today....another AFRS Jubilee.....



Miss Peggy Lee
Benny Carter
Pied Pipers (after Jo Stafford...it's June Hutton)
Page Cavanaugh Trio
Johnny Desmond

http://www.megaupload.com/?d=P66CKOVF

Ms. Betty Everett.....Part 3


And here's Part 3............

1900 Yesterday
Take Me
Tell me, darling
The Things I Say To His Shoulders
The Way You Do The Things You Do (Featuring Jerry Butler)
There'll come a time
Too Hot To Hold
Trouble Over The Weekend
Try It, You'll Like It
Unlucky Girl
Until You Were Gone
What Is It
Who Will Be The Next Fool
Why Are You Leaving Me
Why did you have to go
With You I Stand
Wondering
You're Falling In Love
You're No Good
Your Love Is Important To Me
Your Loving Arms

http://www.megaupload.com/?d=3IQ8YFBN

Django Reinhardt....the BIG list....on to the "M"s...

And here we are.....about midway through the Django alphabet...........I think it's been a pretty grand episode of Sesame Street thus far, no? :)
And it begins...........


Ma régulière- ORCH. MUSETTE JEAN VAISSADE 1928
Mabel (tk1)-QUINTETTE DU HOT CLUB DE FRANCE & CUIVRES 1937
Mabel (tk2)-QUINTETTE DU HOT CLUB DE FRANCE & CUIVRES 1937
Mabel-QUINTETTE DU HOT CLUB DE FRANCE AVEC ALIX COMBELLE 1940
Mademoiselle Adeline-JEAN TRANCHANT, AVEC STEPHANE GRAPPELLY ET DJANGO REINHARDT 1936
Magic Strings-MICHEL WARLOP & SON ORCHESTRE 1936
Maman, Ne Vends Pas La Maison-LE PETIT MIRSHA 1935
Mano-DJANGO REINHARDT & LE QUINTETTE DU HCF (BLUE STAR SESSIONS - 1947)
Manoir de Mes Rêves (2)-DJANGO REINHARDT & HIS AMERICAN SWING BAND 1945
Manoir de Mes Rêves (3)-DJANGO REINHARDT & LE QUINTETTE DU HCF (Rome Sessions - 1950)
Manoir de Mes Rêves (4)-DJANGO REINHARDT & SON QUINTETTE Radio - 1949
Manoir de Mes Rêves (5)-DJANGO (ROME SESSIONS 1949)
Manoir de Mes Rêves-DJANGO REIHNARDT & LE QUINTETTE DU HCF 1943
Manoir de Mes Rêves (2+)-DJANGO REINHARDT & SES RYTHMES (session clef/Blue Star 1953)
Manoir de Mes Rêves (3+)-DJANGO REINHARDT & LE QUINTETTE DU HCF (RADIO SESSIONS - 1947)
Manoir de Mes Rêves  (Django's Castle)-DJANGO REINHARDT & L'ORCHESTRE D'HUBERT FOL AU CLUB SAINT-GERMAIN (Radio 1951)
Manoir de Mes Rêves +-DJANGO REINHARDT & STEPHANE GRAPPELLY ET LE QUINTETTE DU HCF (RADIO SESSIONS-1947)
Margie (2)-NOËL CHIBOUST ET SON ORCHESTRES 1940
Margie (3)-DJANGO REINHARDT & L'ORCHESTRE D'HUBERT FOL 1951
Margie-ANDRE EKYAN - SAXOPHONE’S SOLO 1940
Marie-DJANGO (ROME SESSIONS 1949)
Medley Quintette du H.C.F. Daphné  Limehouse Blues Swing Guitars-GRANDE NUIT DU JAZZ SWING NIGHT IN PARIS (30-06-38)
Medley Valaida Snow & Django Bei mir bist du schön  St.Louis blues-GRANDE NUIT DU JAZZ SWING NIGHT IN PARIS (30-06-38)
Mélodie au crépuscule-DJANGO REINHARDT & SON ORCHESTRES 1943
Menilmontant-DJANGO (ROME SESSIONS 1949)
Micro (Mike) (2)-o
Micro (Mike) (Version 1)-o
Micro (Mike) (Version 2)-o
Micro (Mike)-DJANGO REINHARDT & LE QUINTETTE DU HCF (Rome Sessions - 1950)
Mike (Micro)-LE QUINTETTE DU HCF (NICE JAZZ FESTIVAL - RADIO - 1948)
Mélodie au crépuscule-DJANGO REINHARDT & LE QUINTETTE DU HCF (RADIO SESSIONS - 1947)
The Man I Love (2)-DJANGO (ROME SESSIONS 1949)
The Man I Love-DJANGO REINHARDT & LE QUINTETTE DU HCF (1939)


Minor Blues (2)-DJANGO REINHARDT & STEPHANE GRAPPELLI A ROME (RADIO SESSIONS - 1948)
Minor Blues-DJANGO’S MUSIC 1947
Minor Swing (2)-DJANGO REINHARDT & LE QUINTETTE DU HOT CLUB DE FRANCE (Rome Sessions - 1950)
Minor swing (3)-QUINTETTE DU HCF 1937
Minor Swing (4)-DJANGO (ROME SESSIONS 1949)
Minor Swing (5)-QUINTETTE DU HCF 1947
Minor Swing-DJANGO REINHARDT A BRUXELLES (CONCERT - 1948)
Mirage (Chasing Shadows)-YVONNE LOUIS, ACCOMPAGNÉE PAR L’ORCHESTRE VOLAS 1935
Miss Annabelle Lee-QUINTETTE DU HCF 1937
Miss Colombia-MARCEAU ACCORDEONISTE VIRTUOSE 1928
Miss Otis Regrets-PATRICK & SON ORCHESTRE DE DANSE 1935
Miss Otis Regrets-JEAN SABLON ET SES AMIS (JEAN SABLON & HIS FRIENDS) 1936
Mixtures-. FUD CANDRIX ET SON ORCHESTRE 1942
Moi aussi- MARCEAU ACCORDEONISTE VIRTUOSE 1928
Mon bateau est si petit-PROGRAMME RADIOPHONIQUE DU “MICRO DE LA REDOUTE” 1936
Mon coeur reste près de toi-NITTA RETTE ET SON TRIO “HOT” 1935
Montmartre-REX STEWART AND HIS FEETWARMERS 1939
Moonglow-STÉPHANE GRAPPELLY AND HIS HOT FOUR (QUINTETTE DU HCF) 1935
Moppin the Bride (Danse Nuptiale)-DJANGO REINHARDT A BRUXELLES (CONCERT - 1948)
Moppin' the Bride (Micro)- QUINTETTE DU HCF (BLUE STAR SESSIONS - 1947)
Moten Swing (ver 2)-DJANGO REINHARDT & THE ATC BAND 1946
Moten Swing And Theme-DJANGO REINHARDT & THE ATC BAND 1945
Moten Swing-DJANGO REINHARDT & THE ATC BAND 1946
My Blue Heaven-DJANGO (ROME SESSIONS 1949)
My Carolina Hide-a-way- PATRICK ET SON ORCHESTRE DE DANSE 1934
My Melancholy Baby (2)-LARRY ADLER AV. LE QUINTETTE DU H.C.F. 1938
My Melancholy Baby (3)-QUINTETTE DU HCF 1939
My Melancholy Baby (4)-DJANGO (ROME SESSIONS 1949)
My Melancholy Baby (5)-ARTHUR BRIGGS AND HIS ORCHESTRA 1940
My Melancholy Baby-QUINTETTE DU HCF 1939
My Serenade-QUINTETTE DU HCF 1937
My Sweet (take 1)-QUINTETTE DU HCF 1938
My Sweet (take 2)-QUINTETTE DU HCF 1938
Mystery Pacific-QUINTETTE DU HCF 1937
Môme La Gratiche- ORCH. MUSETTE JEAN VAISSADE 1928

http://www.megaupload.com/?d=VYQH3ITZ

A little halloween video jukebox.........