Some selected Shuggie Otis...(sorta like the Reader's Digest Condensed book version)

Shuggie Otis

Shuggie Otis (born Johnny Alexander Veliotes; November 30, 1953) is an American R&B, soul, rock, blues, and funk singer-songwriter, record producer, and multi-instrumentalist. His composition "Strawberry Letter 23", recorded by The Brothers Johnson, topped the Billboard R&B chart and reached the top five of the Billboard Hot 100 chart in 1977. His 1975 single "Inspiration Information" reached number fifty-six on the R&B chart.

Born in Los Angeles, California, Otis is the son of rhythm and blues pioneer, musician, bandleader, and impresario Johnny Otis and wife Phyllis. The name 'Shuggie' (short for "sugar", according to his mother) was coined by Phyllis when he was a newborn. Otis began playing guitar at age two and performing professionally with his father's band at the age of twelve, often disguising himself with dark glasses and a false moustache so that he could play in after-hours nightclubs.

Otis, primarily known as a guitarist, also sings and plays piano, organ, drums, and bass. While growing up with and being heavily influenced by countless legendary blues, jazz, and R&B musicians in his father Johnny's immediate circle, Otis began to also gravitate towards the popular music of his generation such as Sly Stone, Jimi Hendrix, and Arthur Lee of the band Love. In 1969, Al Kooper asked Otis to be the featured guest on the second installment of the "Super Session" album series which had previously included Stephen Stills and Mike Bloomfield. Kooper and the then-fifteen-year-old Otis recorded "Kooper Session" over one weekend in New York. Immediately returning to Los Angeles, Otis, along with his father and singer Delmar 'Mighty Mouth' Evans on the album "Cold Shot", released in 1969 on the Los Angeles-based Kent label. Another oddly obscure album this three-man team recorded was the extremely rare and risque "Snatch & The Poontangs".

Otis then released his first solo album later that year entitled "Here Comes Shuggie Otis" on Epic Records. Countless musicians were his guests on this debut attempt, including Johnny, Leon Haywood, Al McKibbon, Wilton Felder, and many others. This further established his reputation and catapulted his fame into the attention of B. B. King, who was quoted in a 1970 issue of Guitar Player magazine admitting Otis was "his favorite new guitarist". Some of the artists Otis performed and recorded with during that time include Frank Zappa (having played electric bass on "Peaches en Regalia" on the album "Hot Rats"), Etta James, Eddie Vinson, Richard Berry, Louis Jordan, and Bobby 'Blue' Bland, among many others.

The album Otis received the most notoriety for was his second Epic Records release in 1971 entitled "Freedom Flight", which featured his famous hit "Strawberry Letter 23". Both the album and single reached the Billboard Top 200 and caught the attention of Brothers Johnson guitarist George Johnson, who then played it for music producer Quincy Jones. They covered the song and it instantly became a smash hit. Even though Otis played most of his own parts in the studio, the lineup on this album was quite extensive, including George Duke and Aynsley Dunbar of Journey and Whitesnake fame.

In 1974, Otis released "Inspiration Information". The album had taken almost three years to finish. All the songs were written and arranged by Otis himself, who played almost exclusively every musical instrument on the album (except for the horns and various stringed instruments). However, despite its long-awaited impact, "Inspiration Information" had but one single (the title track) reach the Billboard Top 200. After the album's release, Otis was approached by Billy Preston on behalf of The Rolling Stones, asking him to join the band for their upcoming world tour. He declined the offer, along with the chance to work with Quincy Jones in helping produce Otis's next album. After a series of similar refusals, Otis gained the reputation of 'taking his time', and his recording contract with Epic Records was nullified. During this time, Otis became much more noticeably private as he and his first wife Judith Peters (aka Miss Mercy of Frank Zappa's infamous all-girl group, the GTO's) had a son, Johnny III, who now goes by his middle name, Lucky. Otis' only credited works throughout the mid-1970s were done as a session musician for his father's recording projects. A few years later, Otis and Judith divorced. He then remarried Lillian Wilson, daughter of famed trumpeter bandleader and Latin jazz pioneer Gerald Wilson. They had a son Eric, whom Lillian named after her father Gerald's close friend and bandmate Eric Dolphy. Both Lucky Otis and Eric Otis are professional musicians and producers in their own right.

Otis' 1974 album, "Inspiration Information" was re-released on April 3, 2001, by David Byrne's independent label, Luaka Bop Records. This CD re-issue includes all 9 original album tracks plus four songs taken from Otis' 1971 album "Freedom Flight" and features new cover art, liner notes, and exclusive never-seen-before photos.

Otis is featured in every one of his father Johnny's books, as well as "Alligator Records Presents West Coast Blues", issued in August 1998.

Recently, Otis was heard in an exclusive radio interview claiming his extremely long-awaited fifth album (as yet untitled) will be released sometime in 2011 on his own recording label.

Here are some selections from his discography

1215 Slow Goonbash Blues-w/ Al Kooper-Super Session 1969

Aht Uh Mi Hed.-from 'Inspiration Information' 1974

Bootie Cooler-from 'Here comes Shuggie Otis' 1970

Bury My Body-w/ Al Kooper-Super Session 1969

Country Girl-w/ Johnny Otis-from "In Session: Great Rhythm and Blues 2002

Double Or Nothing-w/ Al Kooper-Super Session 1969

Freedom Flight-from 'Freedon flight' 1971

Funky Thithee-from 'Here comes Shuggie Otis' 1970

Gospel Groove-from 'Here comes Shuggie Otis' 1970

Happy House-from 'Inspiration Information' 1974

Hurricane-from 'Here comes Shuggie Otis' 1970

I'm The Midnight Creeper-from "In Session: Great Rhythm and Blues 2002

Ice Cold Daydream-from 'Freedon flight' 1971

Information Blues-w/ Roy Milton-from "In Session: Great Rhythm and Blues 2002

Inspiration Information-from 'Inspiration Information' 1974

Island Letter-from 'Inspiration Information' 1974

Jennie Lee-from 'Here comes Shuggie Otis' 1970

Knowing (That You Want Him)-from 'Here comes Shuggie Otis' 1970

Me and My Woman-from 'Freedon flight' 1971

Not Available-from 'Inspiration Information' 1974

One Room Country Shack-w/ Al Kooper-Super Session 1969

Oxford Gray-from 'Here comes Shuggie Otis' 1970

Purple-from 'Freedon flight' 1971

Rainy Day-from 'Inspiration Information' 1974

Shuggie's Boogie-from 'Here comes Shuggie Otis' 1970

Shuggie's Shuffle-w/ Al Kooper-Super Session 1969

Signifyin' Monkey 1&2-Snatch & The Poontangs 1968

Someone's Always Singing-from 'Freedon flight' 1971

Sparkle City-from 'Inspiration Information' 1974

Strawberry Letter 23-from 'Freedon flight' 1971

Sweet Thang-from 'Freedon flight' 1971

Texas Hop-w/ Pee Wee Crayton-from "In Session: Great Rhythm and Blues 2002

The Hawks-from 'Here comes Shuggie Otis' 1970

XL-30-from 'Inspiration Information' 1974

http://www.megaupload.com/?d=BTREQBG9

Janet Leigh..........

Louisiana Swamp Pop Friday.......Bobby Charles

Bobby Charles

Bobby Charles (February 21, 1938 – January 14, 2010) was an American singer-songwriter.

An ethnic Cajun, Charles was born as Robert Charles Guidry in Abbeville, Louisiana and grew up listening to Cajun music and the country and western music of Hank Williams. At the age of 15, he heard a performance by Fats Domino, an event that "changed my life forever," he recalled.

Charles helped to pioneer the south Louisiana musical genre known as swamp pop. His compositions include the hits "See You Later, Alligator", which he initially recorded himself as "Later Alligator", but which is best known from the cover version by Bill Haley & His Comets; and "Walking to New Orleans", written for Fats Domino. His songwriting record in the UK charts reads 7 hits, 3 top tens with 75 weeks spent on the chart.

"(I Don't Know Why) But I Do" was a 1950s classic that Charles composed which Clarence "Frogman" Henry had a major hit with and which was on the soundtrack to the 1994 film Forrest Gump. His composition "Why Are People Like That?" was on the soundtrack to the 1998 film Home Fries.

Because of his south Louisiana-influenced rhythm and blues vocal style, Charles has often been thought to be black, when in fact he is white.

On November 26, 1976, Charles was invited to play with The Band at their farewell concert, The Last Waltz. Charles played "Down South in New Orleans", with the help of Dr. John and The Band. The performance was recorded and released as part of the triple-LP The Last Waltz boxed set. The performance was not captured on film however, and did not appear in the film based on the concert with Charles only appearing briefly in the concert's final song, "I Shall Be Released" (he is largely blocked from view during the song). That song, sung by Bob Dylan and pianist Richard Manuel, featured backup vocals from the entire ensemble, including Charles.

He co-wrote the song "Small Town Talk" with Rick Danko of The Band. "Promises, Promises (The Truth Will Set You Free)" was co-written with Willie Nelson.

Charles continued to compose and record (he was based out of Woodstock, New York for a time) and in the 1990s he recorded a duet of "Walking to New Orleans" with Domino.

In September 2007, The Louisiana Music Hall of Fame honored Charles for his contributions to Louisiana music with an induction.

Charles collapsed in his home near Abbeville and died January 14, 2010.

Ain't Got No Home

Bye Bye Baby

Don't You Know I Love You

Good Loving

Hey Good Looking

I'd Like To Know

I'll Turn Square For You

I'm A Fool To Care

Laura Lee

Lonely Street

Lovesick Blues

Mr. Moon

No More (I Ain't Gonna Do It No More)

No Use Knocking

On Bended Knee

On Bended Knee (studio take w talk)

One Eyed Jack

Over Yonder

Put Your Arms Around Me Honey

See you later, allligator

Take It Easy Greasy

Teenagers

Tell Me Baby

Time Will Tell

Watch It Sprocket

Why Can't You

Why Did You Leave

Yea Yea Baby

You Can Suit Yourself

You Know I Love You

Your Picture

http://www.megaupload.com/?d=T1OPCEIF

Alice Faye Part 2.............Studio, on screen and radio

Alice Faye Part 2.......

I'm Just wild about Harry-w/ Louis Prima

My future star-

My, Oh, My-

Nasty man-w/ Freddy Martin and His Orchestra

Never in a million years-w/ The Cy Feuer Orch.

Oh! I Didn't Know-

Old Man Harlem-(from radio)-W/ Rudy Vallee Orch.

On Moonlight Bay-

Roses In December-

Sing Baby Sing-w/ Hal Kemp Orch.

Sittin' Up Waitin' For You-(from radio) w/ Rudy Vallee

Slumming on Park Avenue-w/ The Cy Feuer Orch.

Smarty you Know It All-w/ Hal Kemp Orch.

So Its Love-w/ Hal Kemp Orch.

That Old Feeling-(radio) w/ Hal Kemp

There's A Lull In My Life (radio) w/ Hal Kemp

There's a lull in my life-w/ The Cy Feuer Orch.

This year's kisses-w/ The Cy Feuer Orch.

Wake up and live-w/ The Cy Feuer Orch.

Weep No More My Baby-(radio)

Where Or When-

Yes to you-

You Can't Play My Ukulele-(radio)

You'll never know-(radio)

You're A Sweetheart-w/ Hal Kemp

You're An Old Smoothie-(radio) w/ Rudy Vallee

You're Getting To Be A Habit With Me-(radio) w/ Rudy Vallee

You've Got Everything-(radio) w/ Rudy Vallee

You'll Never Know-("Hello, Frisco, Hello")

Young And Heathy-

Your Broadway and My Broadway-w/ Hal Kemp

http://www.megaupload.com/?d=E0SIAMAR

More Chicago Soul.........Ms. Betty Everett

Betty Everett

Betty Everett (November 23, 1939, Greenwood, Mississippi – August 19, 2001, Beloit, Wisconsin) was an African-American soul singer and pianist, best known for her biggest hit single, the million-selling "The Shoop Shoop Song (It's In His Kiss)".

Everett began playing the piano and singing gospel music in church at the age of nine. She moved to Chicago in 1957 to pursue a career in secular music. She recorded for various small local Chicago soul labels, before she was signed in 1963 by Calvin Carter, A&R musical director of fast-growing independent label, Vee-Jay Records.

An initial single failed, but her second Vee-Jay release, a bluesy version of "You're No Good" (written by Clint Ballard, Jr. and later a #1 hit for Linda Ronstadt), just missed the U.S. top 50. Her next single, the catchy "The Shoop Shoop Song (It's in His Kiss)", was her biggest solo hit. The Rudy Clark song climbed to #6 on the Billboard Hot 100 and made #1 on the Cashbox R&B chart for three weeks.

Her other hits included "I Can't Hear You",(covered by numerous artists, including Dusty Springfield, Helen Reddy, and others), "Getting Mighty Crowded" (covered by Elvis Costello in 1980), and several duets with Jerry Butler, including "Let It Be Me" which made the US Top 5 in 1964 and was another Cashbox R&B number 1. After Vee-Jay folded in 1966, she recorded for several other labels, including Uni, Fantasy, and ABC.

After an unsuccessful year with ABC, a move to Uni brought another major success in 1969 with "There'll Come A Time", co-written by producer and lead singer of The Chi-Lites, Eugene Record. This rose to #2 in the Billboard R&B listing (#26 on the Hot 100) and topped the Cashbox chart. However, most of her later work would not match the success she had with Vee-Jay, although there were other R&B hits such as "It's Been A Long Time" and "I Got To Tell Somebody", which re-united her with Calvin Carter in 1970. The 1975 album Happy Endings had arrangements by Gene Page and includes a cover of "God Only Knows" by The Beach Boys. Her final recording came out in 1980, again produced by Carter. Her awards include the BMI Pop Award (both for 1964 and 1991) and the BMI R&B Award (for 1964).

Living with her sister from the 1980s until her death, Everett resided in Beloit, Wisconsin, where she was involved in the Rhythm & Blues Foundation and the churches of the Fountain of Life and New Covenant. In 1989, a personal manager of Everett at the time brought her to the attention of Worldwide TMA, a management consulting firm in Chicago under the direction of Steve Arvey and Scott Pollack, former Chairman of The Chicago Songwriters Association, and started work on reviving Everett's singing career.

In 1990, her signature hit, "The Shoop Shoop Song (It's in His Kiss)" had been used in the movie, Mermaids for the end credits, recorded by the star of the film, Cher. This reached #1 in the United Kingdom and charted well elsewhere in Europe. An article appeared in a British Sunday newspaper The Mail On Sunday with the headline reading; "Betty Everett Gets Her "Cher" Of A Hit". Fans (according to the article in The Mail On Sunday) were calling the London radio stations asking for the original to be played instead.

Everett had secured an indie label deal in the USA (Trumpet Records-unreleased) and a new single "Don't Cry Now" had been recorded, penned by Larry Weiss. In connection to the preceding events, Everett was booked and aired a 20-minute appearance on the hit TV show at the time, Current Affair. She was then booked to star at the 1991 Chicago Blues Festival which aired live worldwide on over 400 PBS radio channels, marking Everett's last live appearance on radio. Later that year, two concerts were booked for consecutive weekends in late October 1991; one at Trump's Taj Mahal in Atlantic City, the other at the Greek Theatre in Los Angeles. All had been arranged through management and Charles McMillan, Jerry Butler's longtime friend and personal manager. However, Everett declined to show for the engagements. Despite exposure, she was unable to resurrect her career because of health issues.

She was inducted into the Rhythm and Blues Foundation's Hall Of Fame in 1996 and, about four years later, made her last public appearance on the PBS special Doo Wop 51, along with her former singing partner, Jerry Butler. This, according to The Independent, a UK-based newspaper (circa August 2001) was met with raves about the brief reunion where she "brought the house down" (quoted from The Independent). Butler, in his autobiography, "Only The Strong Survive", compared Betty with Gladys Knight as a singer in that she seemed to do everything so effortlessly.

Everett died at her home in Beloit on August 19, 2001; she was 61 years old.

One of the most memorable voices of the Chicago scene...........early to later stuff on this two part list.

Ain t Gonna Cry-

Ain't Nothing Gonna Change Me-

Ain't That Loving You Baby- (Featuring Jerry Butler) 

As Far As We Can Go-

Be Anything (But Mine)-

Bedroom Eyes-

Better Tomorrow Than Today-

Bye bye baby-

Chained To A Memory-

Chained To Your Love-

Danger-

Don't Let It End ('Til You Let It Begin)-

Down In The Country-

Fever-(Featuring Jerry Butler)

Getting Mighty Crowded-

Hands Off-

Happy Endings-

Happy I long to be-w/ Earl Hooker and The Ike Perkins All Stars

Hold On-

Hound Dog-

I Can't Hear You-

I Can't Say No To You-

I Can't Stand It-  (Featuring Jerry Butler)

I can't say-

I Got To Tell Somebody-

I Need A Change-

I Need You So-

I'll Be There-

I'll Weep No More-w/ The Willie Dixon Band

I'm Afraid Of Losing You-

I'm Gonna Be Ready-

I'm Your Friend-

I've got a claim on you-

http://www.megaupload.com/?d=E584O5V8

Dionne Warwick-Live in Paris at L'Olympia 1966

Dionne Warwick in Paris, Dionne Warwick's sixth album, was released in 1966 on Scepter Records. It was recorded during Warwick's five-week engagement at the Paris Olympia in January 1966 and was released shortly after the tour was completed. The LP was issued as number 534 in the Scepter Catalog. The liner of this LP is pink with three pictures of Warwick side-by-side, not unlike the Make Way for Dionne Warwick album two years earlier.

The album featured a major hit single that almost didn't happen: "Message to Michael". Robin Platts says in his book, Burt Bacharach & Hal David, that Warwick was at the Olympia as co-star of "The Sacha Show" alongside Sacha Distel, a French heartthrob that Florence Greenberg was considering signing to Scepter. Distel wanted to record a version of Bacharach and David's "Message To Martha" and had asked Warwick to record a guide vocal. Warwick re-gendered the piece to suit her, and when executives at Scepter heard the recording, a single was issued. Bacharach and David were convinced that the song was better recorded by a man, but nonetheless agreed that Warwick's version was a stunning one indeed. "Message to Michael" was arranged and recorded by Jacques Denjean, thus becoming the first real single for Warwick at Scepter to not be produced by Bacharach and David. The single peaked at number six on the Billboard charts. Additionally, according to Platts, the decision to release "Message to Michael" was largely due to the efforts of Scepter promotion executive (and a singer in his own right) Steve Tyrell.

Though the album included French versions of "A House Is Not A Home" and "You'll Never Get To Heaven (If You Break My Heart)", these were essentially phonetically-read versions over the same studio tracks of the original singles, and therefore not included in the actual performance. The album's liner quotes a Variety reviewer as stating that Warwick was "one Yank singer who could put over her wares completely in English and hit big."

Another song of note on the album is a wonderful reading of Cole Porter's "I Love Paris" which Warwick performed after being introduced on stage by Distel.

1. "I Love Paris"
2. "C'est si Bon"
3. "Message to Michael"
4. "A House is not a Home" (French)
5. "Walk on By"
6. "Oh, Yeah, Yeah, Yeah" (with Sacha Distel)
7. "The Good Life"
8. "La Vie en Rose"
9. "You'll Never Get to Heaven (If You Break My Heart)" (French)
10. "What'd I Say"

http://www.megaupload.com/?d=PA8NLYOS

A great live version of 'Walk on by', from one of The "Murray the K" shows:

The BIG Django list.......The "Js" and "Ks"

It continues...the Django alphabet is up to J and K...........

J'ai Besoin de Toi- GERMAINE SABLON & L’ORCHESTRE. MICHEL WARLOP 1934

J'Attendrai Tornerai-SOLO w/ GRAPPELLI 1938

J'attendrai-“JAZZ HOT” (BANDE-SON SOUNDTRACK) 1938

J'suis pas un Ange [I'm No Angel]-GERMAINE SABLON & L’ORCH. MICHEL WARLOP 1934

Japanese Sandman (2)-QUINTETTE DU HOT CLUB DE FRANCE 1939

Japanese Sandman (3)-QUINTETTE DU HOT CLUB DE FRANCE 1939

Japanese Sandman-DICKY WELLS AND HIS ORCHESTRA 1937

Je Sais Que Vous Etes Jolie- JEAN SABLON & TRIO 1934

Je suis Sex-Appeal-JEAN SABLON 1933

Je Voudrais Vivre-GERMAINE SABLON (ORCH. MICHEL WARLOP) 1934

Jeepers Creepers (take1)-QUINTETTE DU HOT CLUB DE FRANCE 1939

Jeepers Creepers (take 2)-QUINTETTE DU HOT CLUB DE FRANCE 1939

Jersey Bounce-DJANGO REINHARDT & LE QUINTETTE DU HOT CLUB DE FRANCE (Rome Sessions - 1950)

Joyeuse Fumée (Holly Smoke)-ALIX COMBELLE ET SON ORCHESTRES 1940

Jumpin At The Woodside-ALIX COMBELLE AND HIS SWING BAND 1940

Just A Gigolo-DJANGO REINHARDT & STÉPHANE GRAPPELLI (Rome Sessions - 1949)

Just for Fun-LE QUINTETTE DU HOT CLUB DE FRANCE (NICE JAZZ FESTIVAL - RADIO - 1948)

Just One of Those Things (2)-DJANGO REINHARDT & LE QUINTETTE DU HOT CLUB DE FRANCE (Radio Sessions - 1947)

Just One of Those Things-DJANGO REINHARDT & LE QUINTETTE DU HOT CLUB DE FRANCE 1947

Keep Cool-DJANGO REINHARDT & SON QUINTETTE (Decca Sessions - 1952)

http://www.megaupload.com/?d=2G0N6NXT

Alix Combelle with Django, Stephane, and the Phillippe Brun Swing Band 1938

Personnel: Philippe Brun, Gus Deloof, André Cornille (tp); Guy Paquinet, Joysse Breyere (tb); Max Blanc, Charles Lisee (as); Noel Chiboust, Alix Combelle (ts); Stephane Grappelly (p); Django Reinhardt (g); Louis Vola (b); Maurice Chaillou (dr)

Coming up.........an Alix Combelle list...

Joseph Reinhardt, Alix Combelle & Eugène Vées play "Swing 39". Django's chair is kept empty.

Todays OTR: AFRS "Downbeat" Program #137.....Woody Herman

A good one, today.....Woody Herman with the new Herd (about mid-late '40s)..........an AFRS Downbeat broadcast.

http://www.megaupload.com/?d=MC22335X

And yes, I did have the "Julia" Barbie Doll in the nurse uniform AND the lunchbox.....Diahann Carroll

Timi Yuro Part 5..........

Back atcha with Part 5...............

A Legend In My Time

A Little Bird Told Me

Into Each Life Some Rain Must Fall

It hurts to be in love

It must be him

It'll Never Be Over For Me

It's Just A Matter Of Time

It's only a daydream

It's only make believe

It's Too Soon To Know

Johnny

Just a ribbon

Just Say I Love Him

Just when it looked like forever

La morde -unreleased

Le solite cose

Leavin' On Your Mind

Let Me Call You Sweetheart

Let me go lover.

Little things mean a lot

Look Down

Love is a beautiful thing -unreleased

Loving You Is All I Ever Had

The Love Of A Boy

http://www.megaupload.com/?d=VV6O65W9

The excellent Spanish version:

Oh, hell....can't post Timi on video without some wonderful old, cheezy Scopitone, no? :)

Miles Davis-Ascenseur Pour L'Echafaud -Sound track 1958 (plus extrras)

Ascenseur Pour L'Echafaud 1958

a 1958 French film directed by Louis Malle. It was released as Elevator to the Gallows in the USA (aka Frantic) and as Lift to the Scaffold in the UK. It stars Jeanne Moreau and Maurice Ronet as criminal lovers whose perfect crime begins to unravel when Ronet is trapped in an elevator. The film is often associated by critics with the film noir style. According to recent studies, it also introduces very peculiar narrative and editing techniques so that it can be considered a very important experience at the base of the Nouvelle Vague and the so-called New Modern Cinema.

The movie presents also unique and completely new solutions in the history of cinema in the relationship between music and image.

The score by Miles Davis has been described by jazz critic Phil Johnson as "the loneliest trumpet sound you will ever hear, and the model for sad-core music ever since. Hear it and weep."

Here 'Tis.....enjoy! (included extra takes on this list)

Ascenseur- Évasion De Julien

Assassinat (Take 1) Visite Du Vigile

Assassinat (Take 2) Julien Dans L'Ascenseur

Assassinat (Take 3) L'Assassinat De Carala

Au Bar Du Petit Bac

Chez Le Photographe Du Motel

Dîner Au Motel.

Final (Take 1)

Final (Take 2)

Final (Take 3) Chez Le Photographe Du Motel

Florence Sur Les Champs-Élysées

Générique

Julien Dans L'Ascenseur

L'Assassinat De Carala

Le Petit Bal (Take 1)

Le Petit Bal (Take 2) Au Bar Du Petit Bac

Motel- Dîner Au Motel

Nuit Sur Les Champs-Élysées (Take 1)

Nuit Sur Les Champs-Élysées (Take 2)

Nuit Sur Les Champs-Élysées (Take 3)

Nuit Sur Les Champs-Élysées (Take 4)

Sur L'Autoroute

Séquence Voiture (Take 1)

Séquence Voiture (Take 2) Sur L'Autoroute

Visite Du Vigile

Évasion De Julien

http://www.megaupload.com/?d=DOCGPK1U