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Tuesday, May 17, 2011

Jo Stafford Part 4...........


Here's Part 4.................

A Sunday kind of love
A, you're adorable (the alphabet song)
Wunderbar w/ Gordon McRae
Stardust
Symphony
Teach me tonght
Ten Thousand miles (from b'cast) 1950
Tennessee Waltz
Thank You for calling
That's for me
The trolley song w/ The Pied Pipers
These foolish things w/ The ARt Van Damme Quintet
Tumbling tumbleweeds
Warm all over
We'll build a bungalow (big enough for two) w/ Dick Haymes
When April comes again
Where are you
Whispering hope w/ Gordon McRae
With a little bit of luck
You and your love w/ The Pied Pipers
You belong to me
You keep coming back like a song
You took my love
Zip-a-Dee-Doo-Dah w/ Johnny Mercer & The Pied Pipers

Wednesday, May 11, 2011

A great Scopitone of Frank Jr.......................



Beehives and cleavage........just what a great old Scopitone should be! Oh, and Junior.............too fun!

Tuesday, May 10, 2011

Bill Haley Part 2............


Here's part 2...............

A fool such as I 2
A fool such as I
Charmaine
Chatanooga choo choo
Chick safari
Chiquita Linda
Choo choo ch'boogie
Come rock with me
Corrine, Corrina (without hand claps)
Crazy Man, crazy
Dance with a dolly
Dim, dim the lights
Dinah
Don't knock the rock (without overdubs)
Don't knock the rock
Don't nobody move
Dragon rock (complete take 2)
Dragon rock (complete take)
Dragon rock (false start 2)
Dragon rock (false start)
Drowsy waters
El Rocko
Eloise
Farewell, so long, goodbye
Foolish questions-Bill Haley's Four Aces of Western Swing
Football rock and roll (studio demo for Milt Gabler)
Forty cups of coffee
Four leaf clover blues-Bill Haley's Four Aces of Western Swing
Fractured
The Dipsy Doodle
The Dragon Rock

http://www.megaupload.com/?d=82VOZN0M

More OTR Chesterfield Supper Club-10-21-1948-Peggy Lee and Dave Barbour, and The Nat king Cole Trio

A nice Chesterfield Supper Club from October 21, 1948 w/ Peggy Lee and Dave Barbour, and The Nat King Cole Trio. This is a really nice one, today....very fun. :)
http://www.megaupload.com/?d=9B6G0RRA

 Nat and the trio
Peggy and Dave

Afternoon OTR-Jo Stafford for the American Heart Association

An OTR for a Tuesday afternoon: A Jo Stafford broadcast for the American Heart Association....a nice little one I think you'll enjoy. :)


http://www.megaupload.com/?d=XT5FFR48

The Chicagoan..........some of the covers

The Chicagoan was an American magazine modeled after the New Yorker published from June 1926 until April 1935. Focusing on the cultural life of the city of Chicago, each issue of the Chicagoan contained art, music, and drama reviews, profiles of personalities and institutions, commentaries on the local scene, and editorials, along with cartoons and original art.

In an early issue, the Chicagoan's editors claimed to represent "a cultural, civilized and vibrant" city "which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees." Despite its lofty aims, the stalwart assertions of publisher Martin J. Quigley (who once wrote that "Whatever Chicago was and was to be, the Chicagoan must be and become"), and a circulation that sometimes rose above 20,000, the magazine was largely forgotten after its last issue.

Only two substantial collections remain, one at the University of Chicago's Regenstein Library and the other at the New York Public Library. Cultural historian Neil Harris has recently written a book on the subject, The Chicagoan: A Lost History of the Jazz Age (the University of Chicago Press).

Here are a few of the covers. And, I really recommend finding a copy of Neil Harris' book.....great, simply great. :)

Jo Stafford Part 3............

Here's part 3...........

Make love to me
Make the man love me
Manhattan serenade
Medley 1944 (w/ The Pied Pipers, Connie Haines)
My darling, my darling w/ Gordon McRae
My heart cries for you
Need you w/ Gordon McRae
No other love
Old aquaintence
On London Bridge
On the Alamo
On the sunny side of the street
Once and for always
One
Out of this world
Play a simple melody
Pretty eyed baby w/ Frankie Laine
Red River valley (b'cast)
Red River valley
Serenade of the bells
Shenandoah
Shrimp boats
Smoking my sad cigarette
Some enchanted evening
Somebody
Someone to love (v-disc)
Sonata
St. Louis blues
The nearness of you
The night we called it a day
The party's over

Thursday, May 5, 2011

A nice new promo for Chicago Children's Choir....



My daughter is in her 5th year with the CCC......nothing compares to the education and experience these kids get.....amazing.

Wednesday, May 4, 2011

Maybe the start of a series of broadcasting a series....lol

Here's the first broadcast of Duffy's Tavern on CBS, from 7-29-1940. I have quite a few of the available episodes..........so if anyone is interested, I'd be happy to start putting them up on a regular basis. Feedback?

"Hullo, Duffy's Tavern, where the elite meet to eat, Archie the manager speaking, Duffy ain't here---oh, hullo, Duffy . . . " It may have been the most familiar stock opening line in the history of old-time radio comedy.

The famous radio dive was one of those old-time radio birds that was at once a popular hit and a show onto which some of the biggest, or at least the most prestigious entertainers (including but not limited to Fred Allen and a few of his "Allen's Alley" demimonde, Clifton Fadiman, Lucille Ball, Dinah Shore, Rudy Vallee, Monty Woolley, Oscar Levant, Robert Benchley, Peter Lorre, Ida Lupino, Artie Shaw, Arthur Treacher, Hedda Hopper, Boris Karloff, Jinx Falkenburg, James Garfield, and Adolph Menjou) clamoured to appear. "Duffy's Tavern" enjoyed the rare position of being a major hit with listeners and critics alike.

Introduced as a "CBS Forecast" entry in the spring of 1941 ("Forecast" itself was a series designed to audition potential new CBS programs---it yielded two radio immortals, "Duffy's Tavern" and "Suspense"), then done once again in the same series that summer, "Duffy's Tavern" was the brainchild of Ed Gardner, a seasoned radio director and writer who got the idea after struggling to find a lead actor to handle a Lower East Side-like character in "This is New York" when he realised---doing a run-through to demonstrate what he had in mind---that he was the character . . . and, more important, the character informed the one that would make Gardner's radio immortality.

Archie was a malapropping barkeep ("He's got no talent of his own," Archie might say of highbrow music critic Deems Taylor, "he just talks over the other guys in the Philharmonica") who never met a get-rich-quick scheme he couldn't ignore or a lovely lady he could seduce, all while assorted and sundry demimonde who might have made him resemble a sage often got the better of him, usually without trying. Though he tended to try to fight it off, almost invariably a certain affecting vulnerability would expose itself in the end, though never lapsing into mawkishness or cliche. Gardner's Archie, in his way, was probably the most human comedy character to be born in the final powerful decade of old-time radio.

Gardner also pulled off the rare feat of forging an unheard character, Duffy himself, so completely that critics marveled at such a strong personality being established in spite of his weekly absence and listeners, as historian John Dunning cited "Tune In" saying, "can almost hear his voice when he calls in."

Gardner and his original co-writer, eventual Broadway legend Abe Burrows, mounted the show with its impeccable cast---Eddie Green as Eddie, Charles Cantor as Finnegan, and Shirley Booth (then Gardner's wife) as the original Miss Duffy, succeeded first by Florence Halop andeventually by Sandra Gould---for just over a decade. They did it live in New York until 1949 (Gardner habitually performed in a squashed porkpie hat and barkeep's apron behind a makeshift bar; the apron eventually became famous for all the guest star autographs he collected on the garment), when Gardner moved production to Puerto Rico---at that time, the continental U.S. remained under the heavy tax structures in place since World War II, and Puerto Rico offered generous tax relief to enterprises relocating there.

The show is the obvious forebear of such tavern-based television hits as Jackie Glearon's once-famous "Joe the Bartender" routines (Frank Fontaine's Crazy Guggenheim character was an obvious remake of "Duffy's" logic-and-learning challeged Finnegan, and the unseen "Mr. Dunahy" to whom Joe spoke to open the routines was an obvious nod to the always-unheard Duffy), "Archie Bunker's Place" and "Cheers," the latter of which has a family tie to the original---"Cheers" co-creator James Burrows is the son of "Duffy's" original co-head writer Abe Burrows. Other writers on the show included Larry Marks, Lew Meltzer, Dick Martin (eventually to make his mark on television's "Laugh-In"), Manny Sachs, Bob Schiller, and future "M*A*S*H" co-mastermind Larry Gelbart.

Ed Gardner died in 1963. "Duffy's Tavern" never has.

DT 1940-07-29 #000 Forecast Audition (aka 1940-07-09 aka 1940-04-11 aka 1943-03-09 aka 1944-12-01 aka Pickled Pigs Feet aka Irish Tenor): Featuring Mel Allen (announcer), Gertrude Neissen, Col. Stoopnagle (F. Chase Taylor), Larry Adler, John Kirby's Orch., and Ed Gardner as Archie.

http://www.megaupload.com/?d=UK0NGFKF


1 - (07-29-40) - “Duffy Loves an Irish Tenor"
This was the pilot episode of Duffy's Tavern, aired as part of another show called "Forecast" in order to introduce it to audiences. In this premier edition, Archie answers the phone saying, "Hello, Duffy's Tavern, Where the elite meet to eat, Special today is pig's pickled feet. Archie the manager speakin', Duffy ain't here. Oh, hello, Duffy..." Except for the "pig's feet" part, this would become the opening line of every episode, as Duffy the owner would call in each week to find out what was going on down at his bar. In this case, in addition to the house band Archie has singer Gertrude Niesen on tap to entertain customers. Gertrude gives it to Duffy over the phone after he harshly criticizes her singing. Then Colonel Stoopnagle stops by to show off some of his unique inventions, including a very unusual "sawed-on" shotgun. When Archie mentions his order from Duffy to find an Irish tenor, the Colonel demonstrates his abilities as a singer, much to the chagrin of all present. Larry Adler plays a beautiful rendition of "Danny Boy" on his harmonica, which inspires Duffy to buy a round of drinks for the whole joint. While enjoying their beers, Archie tells the story of Two-Top Gruskin, the double-headed baseball player. Then Duffy calls back to say Larry Adler's tune wasn't good enough. Finally, after all else has failed to satisfy Duffy, Officer Clancy pops in and sings "When Irish Eyes are Smilin'" in a perfect Irish tenor voice, which pleases all. This tune became the show's opening theme song henceforth.

OTR...5 more episodes-The Bing Crosby Rosemary Clooney Show...1960

Here's five more shows:

Ep. 11 from 3-14-1960

Ep. 12 from 3-15-1960
 
Ep. 13 from 3-16-1960
Ep. 14 from 3-17-1960 -St.Patrick's Day

Ep. 15 from 3-18-1960

Afternoon OTR-Woody Herman at The Famous Door Jan. 7, 1940 NBC

A nice little show for this afternoon............An NBC band remote of Woody Herman at The Famous Door..52nd Street, NYC, on .Jan. 7, 1940.


http://www.megaupload.com/?d=KVL7QR96

Libby Holman..........

Libby Holman

Libby Holman (May 23, 1904 – June 18, 1971) was an American torch singer and stage actress who also achieved notoriety for her complex and unconventional personal life.

Elizabeth Lloyd Holzman was born May 23, 1904, in Cincinnati, Ohio to a Jewish lawyer and stockbroker, Alfred Holzman (August 20, 1867 - June 14, 1947) and his wife, Rachel Florence Workum Holzman (October 17, 1873 - April 22, 1966). Their other children were daughter Marion H. Holzman (January 25, 1901 - December 13, 1963) and son Alfred Paul Holzman (March 9, 1909 - April 19, 1992). In 1904, the wealthy family grew destitute after Holman's uncle Ross Holzman embezzled nearly $1 million of their stock brokerage business. At some point, Alfred changed the family name from Holzman to Holman. She graduated from Hughes High School on June 11, 1920, at the age of 16. She graduated from the University of Cincinnati on June 16, 1923, with a Bachelor of Arts degree. Libby Holman later subtracted two years from her age. insisting she was born in 1906. She gave the Social Security Administration 1906 as the year of her birth.

In the summer of 1924, Holman left for New York City, where she first lived at the Studio Club. Her first theater job in New York was in the road company of The Fool. Channing Pollock, the writer of The Fool, recognized Holman's talents immediately and advised her to pursue a theatrical career. She followed Pollock's advice and soon became a star. An early stage colleague who became a longtime close friend was future film star Clifton Webb, then a dancer. He gave her the nickname, "The Statue of Libby." Her Broadway theatre debut was in the play The Sapphire Ring in 1925 at the Selwyn Theatre, which closed after thirteen performances. She was billed as Elizabeth Holman. Her big break came while she was appearing with Clifton Webb and Fred Allen in the 1929 Broadway revue The Little Show, in which she first sang the blues number, "Moanin' Low" by Ralph Rainger), which earned her a dozen curtain calls on opening night, drew raves from the critics and became her signature song. Also in that show she sang the Kay Swift and Paul James song, "Can't We Be Friends?" The following year, Holman introduced the Howard Dietz and Arthur Schwartz standard "Something to Remember You By" in the show Three's a Crowd, which also starred Allen and Webb. Other Broadway appearances included The Garrick Gaieties (1925), Merry-Go-Round (1927), Rainbow (1928), Ned Wayburn's Gambols (1929), Revenge with Music (1934), You Never Know (1938, score by Cole Porter), and the self-produced one-woman revue Blues, Ballads and Sin-Songs (1954).

Holman enjoyed a variety of intimate relationships with both men and women throughout her lifetime. Her famous lesbian lovers included the DuPont heiress Louisa d'Andelot Carpenter, actress Jeanne Eagels and modernist writer Jane Bowles. Carpenter was to play a significant part throughout Holman's lifetime. They raised their children and lived together and were openly accepted by their theater companions. She scandalized some by dating much younger men, such as fellow American actor Montgomery Clift, whom she mentored.

Holman took an interest in one fan, Zachary Smith Reynolds, the heir to the R. J. Reynolds's tobacco company. He was smitten with her from the start, despite their seven-year age difference. They met in Baltimore, Maryland in April 1930 after Reynolds saw Holman's performance in a road company staging of the play The Little Show. Reynolds begged friend Dwight Deere Wiman, who was the show's producer, for an introduction to Holman. Reynolds pursued her all around the world in his plane. With the persuasion of her former lover, Louisa d'Andelot Carpenter, Holman and Reynolds, who went by his middle name, married on Sunday, November 29, 1931. Reynolds wanted Holman to abandon her acting career, she consented by taking a one-year leave of absence. During this time, however, his conservative family was unable to bear Holman and her group of theater friends, who at her invitation often visited Reynolda, the family estate near Winston-Salem, North Carolina. Accusations and arguments among them were common.

In 1932, during a 21st birthday party Reynolds gave at Reynolda for his friend and flying buddy Charles Gideon Hill, Jr., a first cousin to Reynolds's first wife Anne Ludlow Cannon Reynolds, Holman revealed to her husband that she was pregnant. A tense argument ensued. Moments later, a shot was heard. Friends soon discovered Reynolds bleeding and unconscious with a gunshot wound to the head. Authorities initially ruled the shooting a suicide, but a coroner's inquiry ruled it a murder. Holman and Albert Bailey "Ab" Walker, a friend of Reynolds's and a supposed lover of Holman's, were indicted for murder.

Louisa Carpenter paid Holman's $25,000 bail in Wentworth, North Carolina, appearing in such mannish clothes that bystanders and reporters thought she was a man. The Reynolds family contacted the local authorities and had the charges dropped for fear of scandal. Holman gave birth to the couple's child, Christopher Smith "Topper" Reynolds, on January 10, 1933.

Journalist Milt Machlin investigated the death of Smith Reynolds and argued that Reynolds committed suicide. In his account Holman was a victim of the anti-Semitism of local authorities, and the district attorney involved with the case later told Machlin that she was innocent.

In 1934, Broadway producer Vinton Freedley offered Holman the starring role in the Cole Porter musical Anything Goes, but she declined.

Holman married her second husband, film and stage actor Ralph (pronounced "Rafe") Holmes, in March 1939. He was twelve years her junior. She had previously dated his older brother, Phillips Holmes. In 1940, both brothers, who were half-Canadian, joined the Royal Canadian Air Force. Phillips was killed in a collision of two military planes in August 1942. When Ralph returned home in August 1945, the marriage quickly soured and they soon separated. On November 15, 1945, Ralph Holmes was found in his Manhattan apartment, dead of a barbiturate overdose at age 29.

Holman adopted two sons, Timmy (born October 18, 1945), and Tony (born May 19, 1947). Her natural son Christopher ("Topper") died on August 7, 1950 after falling while mountain climbing. Holman had given him permission to go mountain climbing with a friend on California's highest peak, Mount Whitney, not knowing that the boys were ill-prepared for the adventure. Both died. Those close to Holman claim she never forgave herself. In 1952 she created the Christopher Reynolds Foundation in his memory.

In the 1950s, Holman worked with her accompanist, Gerold Cook, on researching and rearranging what they called earth music. It was primarily blues and spirituals that were linked to the African American community. Holman had always been involved in what later became known as the Civil rights movement. During World War II, she tried to book shows for the servicemen with her friend, Josh White, but they were turned down on the grounds that "we don’t book mixed company."  In 1959, through the Christopher Reynolds Foundation, she underwrote a trip to India by Martin Luther King, Jr. and his wife, Coretta Scott King, both of whom became close friends with Holman and her husband, Louis Schanker. Holman also contributed to the defense of Dr. Benjamin Spock, the pediatrician and writer arrested for taking part in antiwar demonstrations.

Her third and last husband was well known artist/sculptor Louis Schanker. They married on December 27, 1960. Although Holman did not have to work after her marriage to Reynolds, she never completely gave up her career, making records and giving recitals. One of her last performances was at the United Nations in New York in 1966. She performed her trademark song, "Moanin' Low."

For many years, Holman reportedly suffered from depression over the deaths of President Kennedy and Dr. Martin Luther King, the recent presidential election loss by Eugene McCarthy, and the illness and deterioration of her friend Jane Bowles. She also was considered never the same after the death of Montgomery Clift. Friends said that she lost some of her vitality.

On June 18, 1971, Holman was found nearly dead in the front seat of her Rolls Royce by her household staff. She was taken to the hospital where she died hours later. Holman's death was officially ruled a suicide due to acute carbon monoxide poisoning.

Few of Holman's friends believed the coroner's report that she had committed suicide. They questioned how the slight, aging Holman could open and close the heavy, manually-operated garage door.

Holman's papers are at the Howard Gotlieb Archival Research Center of Boston University. In 2001, a successful effort was made by local citizens to save her Connecticut estate, Treetops, from development. It straddles the border of Stamford and Greenwich. As a result, the pristine grounds were preserved. Many rooms in the mansion have been restored. In 2006, the Treetops Chamber Music Society’s annual concert series made Louis Schanker's studio its home.



 Not a huge list, today....just a nice little selection of her songs over the course of her career...........


All by myself
Am I blue
Baby baby
Body and soul
Can't we be friends
Fare Thee well
Find me a primitive man
Girl with the pre-fabricated heart
Good Mornin' blues
Hansome winsome Johnny/On top of old smokey
He's a good man to have around
I may be wrong
I'm cooking breakfast for the one I love
I'm doing what I'm doing for love
I'm one of God's children
Love for sale
Moanin' low
Something to remember you by
The house of the rising sun
The man I love
What is this thing called love
When a woman loves a man
When the sun goes down
When you only love one
Why was I born
You, the night and the music


http://www.megaupload.com/?d=6261WSU9






Note: link correction to the Lee Wiley post from 10-22-10

http://planetbarberella.blogspot.com/2010/10/lee-wiley.html

I just corrected the link to the 2nd half of the post**

Tuesday, May 3, 2011

A little OTR for the end of the evening....Harry "The Hipster" Gibson..."Personal Album" on AFRS

An OTR that I don't have a lot of info on, tonight....an interesting one, though. "Personal Album", on Armed Forces Radio (AFRS), with Harry "The Hipster" Gibson. I don't have a date for this one, couldn't find any old radio episodic logs that would supply anymore info on it, either. If any of you can give any details, it would be greatly appreciated.

Meanwhile....enjoy....fun stuff :)

http://www.megaupload.com/?d=1ZYD4Y4E




52nd Street, NYC.....pic of Gibson headlining at the Onyx May of 1948.



Ahemmm.....maybe Charlie Sheen put the Benzadrine in Mrs. Murphy's Ovaltine........... ;)